Zombieland movie actors11/15/2022 ![]() ![]() Deutch, too, is toeing a very careful line. Madison is, putting it lightly, a dumb-blonde character to end all dumb-blonde characters. Those few sequences are driven by one of the new characters, Madison (Zoey Deutch). Stone, after a decade that's brought her an Oscar and recent, deserved praise for her darkly comic role in The Favourite, returns to one of her earlier characters also toeing a line: she's still got solid chemistry with Eisenberg, even though the glare she gives in a few sequences reads more like "Why did I agree to be in this movie again?" What he perceives as domestic bliss with Wichita is mostly one-sided in the early going, but even after entanglements arise, he seems just so happy to be playing a rare well-rounded nerd. Eisenberg, now more easily identified thanks to his symphony of smug in The Social Network, always carefully toes the line as the almost perversely upbeat Columbus. The second is that the cast in Double Tap heavily elevates the material beyond what it might deserve. One is that the characters in Double Tap are allowed to be characters, not just pawns in a rib-nudging feature-length circle jerk. The jokes, which come roughly as fast as they do in those superhero films, work more for two reasons. ![]() Lucky for Double Tap, the level of smugness pervading the Deadpool movies is mostly absent here. During one scene with a particularly bloody zombie kill, he warns, "Put your Milk Duds down for this one", and at another point, he references that only a 4DX theater can make you understand how Zombieland smells. But Columbus' narration starts by tipping to the audience. There's not quite that level of audience acknowledgment in Double Tap, in that none of the characters stare down the camera to emphasize a gag. Why not lead with that?) And Deadpool, especially, thrives on being a heavily meta, fourth-wall-breaking story with a title character who's keenly aware of the fact that he's in a movie. (If you're wondering why the ads are goofy, it's because the aforementioned director and writers.directed and wrote the first Zombieland. As the goofy ad campaign has noted, the film comes from the director of last year's inexplicable hit Venom and the writers of Deadpool. Plot, though, is of a secondary nature to a film like Zombieland: Double Tap. Little Rock, now in her early twenties, chafes at Tallahassee's overbearing nature, running away with Wichita, who freaks out when Columbus proposes marriage. After some briefly idyllic faux-domesticity, though, the foursome turns to two. When we meet up with them this time, they're finally making a home for themselves, in the biggest one of all: the White House. Once again, we're following the exploits of an unlikely quartet: there's the cheerful narrator Columbus (Jesse Eisenberg), his country-fried partner Tallahassee (Woody Harrelson), Columbus' fierce paramour Wichita (Emma Stone) and her little sister Little Rock (Abigail Breslin), all named after cities to hide their true identities. Double Tap manages to succeed even mildly thanks largely to its core cast members, who charm their way through a script that sometimes smacks of being written on the day of shooting. As the original was, Double Tap has the slick sheen of the highest-end marketing campaign, looking polished and buffed even as it depicts the blood-soaked world in which a zombie apocalypse has taken over and a few human stragglers fight their way towards survival. So, if you like your zombie apocalypses with a satiric bite and a quick-moving pace wrapped up in a tight hour and 28 minutes, Zombieland is for you.Zombieland: Double Tap, like its 2009 predecessor, is a triumph of casting and style over substance. By the time 2009 came around, zombie movies were dying a slow death, until Zombieland crashed onto the scene and gave the genre the bolt of lightning it needed to reanimate its bloody corpse.ĭue to its fiendishly clever meta script and four memorable performances from Woody Harrelson, Jesse Eisenberg, Emma Stone and Abigail Breslin, Zombieland was an immensely fun and concise romp through post-apocalyptic America and has since become a beloved entry to the zombie canon. Zombieland (2009) Columbia PicturesĢ009’s Zombieland packs a lot of shotgun-blasting, giftshop-smashing, twinkie-eating undead action into its relatively short 88-minute runtime. These are the 10 best horror movies under 90 minutes. So, if you don’t feel like buckling in for a two and a half hour slow burn (looking at you, Ari Aster) but still want your fix of fright, look no further. Of course, laying groundwork is an essential part of any frightening tale, but sometimes brevity is key when it comes to horror filmmaking. ![]()
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